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“Vagapov turned out to be middle-aged, the image was a success”: a monument to the father of the Tatar stage will be opened in Kazan

The territory of the square is limited by the streets of Nazarbayev, Pavlyukhin, Spartakovskaya and Chaliapin. Today, the place is an untidy space - the paths are broken, there is nowhere to sit down to rest, an old playground and an enclosed backyard where there is a parking and service area. The square is popular among the townspeople, so the architects propose to make the park more permeable by organizing additional footpaths along existing paths, zoning the space into a concert zone and the territory of the alley. They want to open the backyard of the Philharmonic so that they can hold creative meetings there in the open air. Children will also have their own space - the playground will be landscaped and equipment will be installed.

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The fourth day of the ethno-fashion festival ended with demonstrations of collections by ethno-designers Aidarkhan Kaliev from Uzbekistan, Anzhelika Kirillina (Yakutia), Sultan Saliev from Tatarstan, Mila Ponomareva from Irkutsk, Maria Karlina (Yelets lace) from Moscow, Natalia Novikova (Dushegrey) from Moscow, Lalli Fazylova from Uzbekistan, Khurshed Sattorov from Tajikistan, Vesna Koroleva, Elari Shaikhi and Ruslana Gabov (Banu Bureau) from Tatarstan, as well as a concert program featuring honored artists of Tatarstan Ilyusa Khuzina and Artur Islamov, Khakas ethno-musician Gurude (Ruslan Ivakin) , Shoner Paul, experimental musical project ABIEM Project (the union of two sound producers Artur Zamaletdinov and Vladimir

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